Introduction



Follow my journey, my struggle to success.
You can learn more, or you can learn less.
Enjoy the artwork, read what you will.
Don't be afraid to share your own skill(s).



This blog is now Mili Fay Art Blog


Thursday, 22 May 2014

MILI FAY ART COLOURING BOOK 01/MAY 2014 NEWSLETTER


MILI FAY ART NEWSLETTER
"Together we support the world one artwork at a time."

I am devastated by the horror stories I keep hearing from my family and friends in Serbia and Bosnia.  The news channels are saying that the destruction caused by rains is worse than the one caused by 1990s war, or NATO bombing.  As far as people know, there has never been such flooding in the Balkans’ region, and the authorities are not prepared to deal with the aftermath.

For this reason, I have decided to donate 1$ from every item purchased at the Wychwood Barns and TIAM Markets this weekend (May 24th/25th).  I have further decided to create a PDF colouring book featuring Mili Fay Art Favourites artwork, and donate any proceeds (minus Gumroad’s fee).  You can purchase the colouring book here for $0+.  I just wish I could do more.

https://gumroad.com/l/FloodSerbia_BosniaFloods

I will write my usual Newsletter in June.

Thank you for understanding.

Friday, 2 May 2014

MILI FAY'S ADVENTURES IN PUBLISHING: Marketing Challenge

Now that my book is published and looking perfect, my greatest struggle is getting it in front of my audience, a.k.a. MARKETING.

I'm all over the Internet, but though I connect with other authors and artists, I'm not reaching the people who want to buy my book.

How do I know who these people are?

I truly believe that everyone would love my book, but not everyone NEEDS my book. To find your audience you need to know who falls in the second category. By going to markets and fairs I have discovered that people who purchase my book have young children in their lives; they are parents, grandparents, teachers...

So, I should be targeting mommy blogs, baby and children's stores, schools... But how do I reach people without coming across as a self-serving creep?

I have no idea.

Thankfully, I have just discovered something called a Book Marketing Challenge. It begins this Monday, May 5th, so if you want to get the FREE Silver Pass and check it out: http://buildabusinesswithyourbook.com/access/aff/go/mili_fay

I have just signed up for Gold Membership so what you see above is my affiliate link.

I honestly hope it helps me out, because doing everything on my own is a tad overwhelming. ;-)

I'll blog about my experience, so if you have any questions let me know.

Cheers!

M

Tuesday, 15 April 2014

Going To The Market: An Artist's Perspective

Those who know me really well know that I am terrified of the spotlight, I am terrified of speaking in public, and I would rather go to the dentist with a cavity than sell my own work. 

However, I also truly believe that I can use the talents that I have to make this world a better place, and if I have to do all of the above to achieve that goal, I am more than willing to do every one of those things and more.

There are tricks I have learned that have made going to the market less of a terrifying experience, and more one of pleasure.  I will share these tricks with you at the end of this post, but let me share a bit more of my experience first.

Before my first public market, I was a complete mess.  I love my work the way every parent loves their child, and to have it on display and have complete strangers approach me and judge it right before my eyes...  >>shudder<<

I have been very fortunate that there was not a single person since I placed my work on public display that bashed my work.  (There was once a woman terrified of owls who pulled her friend away from my stand, but that's about all the negative feedback I have ever received.)

Most people at markets and online love my work.  Even people who do not have children tell me that they love my work and that they wish they had children to share it with.  As an artist struggling to make a living doing what I love such words are a balm to my soul.  There are some people who do not have children that buy an image I created for the child they once were.  (I always do that at markets J.) 

However, there are people who pass by my work giving it no more than a glance. 

There are also people who pass by my work, take a good look at it, and then run away before I have time to say "Hello."

Going to the market I have realised that no matter how good my work is, it is not a necessity.  Nobody needs art to survive.  People buy art because looking at it makes them happy, not because they need it to be happy.  The only people who buy my work are the ones who: love books and appreciate the time and skill it took to create mine (as well as the top-notch quality); find my book useful for teaching children; are looking to decorate a kid's room; need a baby-shower gift; or find an image that speaks to them personally.

Those people are my customers.  Therefore, to earn a living, I should only go to markets that cater to such customers.  

Sadly, Toronto Indie Arts Market in not the market populated by such attendees.  A few of them stroll by from time to time, but most people who attend are not there looking for children's art and quality children's books.  Toronto Indie Arts Market is in the artsy area of the city frequented by artists, people on-the-go, and historically-minded tourists.  At this market people are looking for artsy prints, out-there works of art, zines, comics, wearable art, home-made soaps, and unusual gifts.

So, what am I doing at TIAM?

I will answer that, but first let me tell you what I have promised to tell you in the title of this post.

It does not matter how many markets I have attended, before every market I am a mess.  I am obsessed with providing quality, and not just the quality of my work, but quality of presentation as well.  I have to have my handmade receipts, stickers, shopping bags, and display sets just right.  I have to have the appropriate clothing and name tags for myself and my voulonteers.  After all if I could find fault with something, why should I expect my future customer to overlook that fault?  On the last day, before I go to sleep, all my boxes and bags are packed strategically in a grown-up Tetris fashion.

On the day of the market, I wake up early.  I have a sizeable breakfast, because experience has taught me that I will not have time to eat (snacking on a pretzel, or some nuts, is all I can manage during the day).  Besides, as an artist and creator I feel I should always be there to answer questions and sign my work.  Taking half an hour for lunch is just not practical.

After breakfast, I get dressed and apply makeup so I do not look as tired as I feel.  I check that I have everything by checking off items on a list, and I stuff all I'm bringing into a car.  Then, because there are always parking issues, I get someone to drop me off (usually my dad).

Arriving at the market, I wonder if I will get a bad spot.  Ever since my horrible position at my first market (The Word On The Street 2013), I have become slightly obsessed with having a good location.  A good location makes a difference between earning a living, or getting into more debt.

This past Saturday, my location was not good.  I was placed at the bar, and my work was too high up to be seen by children.  I was also trapped where I was by my neighbours.  I had about a foot and a half square of space to move in.  But, that is the luck of the draw for a market that does not let you choose your spot.  I just have to make do with what I’ve got.

My sister (who was my volunteer for the day) helped me to set up our display.  The moment we were ready she took my photo so that I could have one to share online.  Full disclosure: I do not like having my picture taken, but I am the face of Mili Fay Art, so I need to have at least one photo for display.

Mili Fay at TIAM
If there is time, I go quickly through the market to meet my fellow artists.  I love meeting new artists and seeing their work.  I always feel bad for not making purchases, but I have made a deal with myself that I will not buy anything on the days go vending; unless I find something I need and not something I want.  So, I take the cards from artists I admire and put them in the wish-list pile at home.

This time, the following artists caught my eye:

The fabulous earrings of "The FEEL Collection": 

Bolo cowboy string tie neckwear of "Around The Collar".  I loved the resin with screws and the refurbished watches:  https://www.etsy.com/ca/shop/AroundTheCollar?ref=si_shop

Homemade pouches and purses of "dewson": https://www.etsy.com/shop/dewson?ref=shop_sugg

The unusual style of Paper Dog Press:

Quillad and Geek Collateral Media: 

A whole world in a bowl! Charming terrariums by "Field Day Terrariums":

Beautiful ink illustrations and book of Dan Holst Soelberg:

Stunning wearable handmade paper art of "FoldIT Creations":

Funny and beautiful cards by "Gotamago": 

Fantasy art by MJ Alexander:

Gorgeous jewellery by "Mizdragonfly": 

"Sweatshop" home-sewn bags and products by young and talented students: 

Before 11 am any market tends to be slow.  Attendance picks up around 11:30 and a steady stream of people keeps coming until 3 pm.  There are no breaks during that time.  If you are planning to take a break at your market, have one outside of that timeframe.  Once, I went for a walk to stretch my legs, because there were no customers for a while, and the moment I was in the other room I got a call from my friend to get my butt back at the table to sign my work.  Lesson learned. 

I always remain standing.  It is something I have learned from my previous markets and from working as a CSR at Blockbuster.  Standing is a sign of respect.  By standing, you also show you are approachable, engaged, and are not just waiting for time to go buy.

So, why do I go to TIAM when I know my customers are not to be found there?

Because I always meet interesting people, I get to see who buys my work (market research), and I love the way it feels when people try to convince me that my work is amazing.  :-D  Having an option to sit at home, or interact with artists and interesting people, I will always choose the latter.  I feel I'm always learning something. Even if I do not make a sale, I usually make some friends and earn useful advice.  Besides TIAM is affordable enough that I will not cry myself to sleep if I do not cover the costs of vending. (Thankfully, that has not happened to this day.)

Cutest Fan--Thank you dad for allowing us to take this picture.
I also love seeing children's reactions to my work.  If kids do not like something, you will know.  I create the work for them and seeing their eyes light up and their faces filled with wonder is the best encouragement to continue doing what I am.  And there are days when I need that encouragement.  On those days I recall their happy faces, and I get by.

Sadly, because I have invested heavily in other future markets, I will no longer attend a mixed-media TIAM, but I will continue to attend all book events, and if they decide to have an all children's event, I will be there for sure.

At last I will tell you the tricks that get me over the terror of THE MARKET: 

Stop thinking of it as THE MARKET; stop thinking of making money to cover the costs (thinking of it does not help), and just enjoy sharing your work with others.  If "disasters" happen, think of them as "funny stories to be" that you can share with your followers.  NO ONE will tell you that your work sucks, but if you feel they are thinking it, ask them about it so you can learn and improve.  You will never please everyone, so do not bother to try.  Do what you love, and share your work with others of the same mind--no matter what you are doing there are people out there who are dying to discover your work, going to the market helps you find them.

Well, this post is long enough.

If you have any questions, never hesitate to ask.

Cheers!

Mili


Thursday, 27 February 2014

Did you know there is an Author Marketing App for Facebook?

I had no idea, until I saw it on a page I decided to Like.

It is a nice bright red colour that calls to the eye:

You can see it in the App Menu above

On the actual page you can add your information, your books, and even the book signing events coming up.


Time will tell how useful of a marketing tool it is.

Cheers!

Mili

Friday, 14 February 2014

HAPPY VALENTINE'S DAY!

UPDATE: To see this image in full colour, see HERE.

Unfortunately, though not unusually, life has interfered with my plans again, and as a result I was unable to finish "Sense and Sensibility" Mini-ME as I have planned for this special day.  However, I do have an outline, so if you are in the mood for colouring feel free to do so.  Colonel Brandon and Marianne will grace my pages in full colour very soon.  Until then, you can say I love you the "Pride and Prejudice" and "Warriors of Virtue" way.

Happy Valentine's Day!

Please Note: You can copy, share and print artworks below as much as you like, as long as you give credit to Mili Fay or Mili Fay Art, and link back to this page. You CANNOT modify the artwork in any way (other than to colour the colouring page).


Love Valentine

Friendship Valentine
"Warriors of Virtue": Lauraliee and Emerald



Friday, 7 February 2014

"How Do I Develop A Unique Style?"

My "Style"

I know where this question comes from.  In my first year at Sheridan College, I got really upset when my 2D Design teacher told me that my work was good but cliché.  I became obsessed with finding a unique style, only to realize years later that I had a “style” all along.  In my painting class even though we were given the exact same materials and the exact same model, not one of the paintings produced by the entire class looked similar. Not one.

Therefore, I have concluded that each of us is born with a “style”, or the unique way of looking at the world around us. 

My advice to students is stop worrying about “style” and to work on their skills.  Picasso was obsessed with developing a “style” and I feel that after he has reached a certain point his work stopped growing as a result.  On the other hand, Monet painted.  Looking at a lifetime of Monet’s paintings you can see growth in his skills and changes in his “style”.

Give yourself a break and do what you love.

I promise you, you will find someone who will love your work… even if others see it as “cliché”.


Wednesday, 15 January 2014

MILI FAY ART: First Digital Picture Book

As mentioned in the newsletter, I have decided to create my first ever digital picture book.  I intend to document everything.  From beginning to end.  A real life "Art Of..." book.  If you are interested you can follow my progress on my new blog: "Is DIGITAL ART better than TRADITIONAL ART?"

As always, feel free to ask any questions and I'll answer them ASAP.

Enjoy!